Book Review: Patient Zero

This review requires a disclaimer before I tell you about it.   I read quite a bit, across a wide variety of genres, both fiction and nonfiction.   There’s not a lot that I won’t read or at least try once. However, the few things that I don’t pick up are generally because simply put, they are just not my thing.  They’re not interesting to me and in many cases, despite how well written the book may be, it will still leave me cold and unsatisfied. It’s not an author issue, it’s a me issue.

For example, I’m not a fan of zombie books or comics.  I’m not a fan of zombies.  I’ve never really cared much for the horror genre in general, but zombies just have never left me with a good impression.  Not in films,  not in my comics, and not in my books. Part of this stems from the fact that my imagination is overactive to the nth degree and I’ve always been a vivid dreamer. So having nightmares from something I watched/read is always a possibility no matter the genre but they go up exponentially with a lot of horror intake. So I just don’t do horror.

That being said, Patient Zero by Jonathan Maberry is a zombie novel.  My first zombie novel, given to me by a dear friend who was also my DM at the time, who strongly encouraged me to give it the first 20 pages or so.   For two reasons he said,  the first being that part of the book had been set locally and it read like the author was a local and the second being that despite my no-zombies-ever-please rule, he thought I’d actually enjoy it.  If I wasn’t sold after 20 pages, then he wouldn’t suggest any other kind of novel in that genre again AND he’d buy me another book to replace it.

I was skeptical. I was unsure. I didn’t want him to be right.  But by Chapter Four (page 12) I was completely and utterly enthralled. So I did what every totally mature college student & Gammaworld player would do. I marked my place, called him up, went “You were right, dammit” and then hung up while he was still cackling into the phone so I could blitz my way through the rest of the book.

Because Patient Zero is much more than just a mere zombie novel.

“Monday, 1300 hours:  Detective Joe Ledger kills terrorist Javad Mustapha, aka Patient Zero, with two point-blank shots from his Glock.45.

Wednesday, 0800 hours: Patient Zero rises from the dead.

When you have to kill the same terrorist twice inside the same week,  there is either something wrong with your world or something wrong with your skills…and there’s nothing wrong with  Joe Ledger’s skills.”

This blurb from the back of the paperback is one of my favorite summaries of both this book and the main character’s personality. Patient Zero is one part science-based horror novel and one part military thriller.    The main character is everything I enjoy in my protagonists.   Competent, efficient, memorable, and a world-class smart-ass.  Joe Ledger is good at what he does, he’s not a superman, there are no masks or tights, and his skills are not out of the realm of ordinary humans.  He’s a well rounded solid realistic character.

The book is  recounted from his first person perspective. We’re riding right alongside Joe, deep into his head and thought processes as the novel goes on.  First person narration is always tricky, both to write and to read, but when it’s done well,  the impact it can have is powerful.

Maberry excels at drawing you into the novel and keeping you there.  This book is a fast read,  once you pick  it up, it’s terribly hard to put it back down again.   It’s an amazing thrill ride from start to finish.

He’s crafted a plausible scenario for how a zombie apocalypse might actually start.  The technology (with very few exceptions) are all based upon actual technology being used today, though as Maberry notes in his Author’s Note, several of the items are not yet available on the commercial market.   The science is fairly solid, some of the specifically named parasites and control diseases are fictional, but they are all inspired by pathogens currently present in today’s scientific field.  Prion diseases actually exist. They really are terrifying.

In short, these are zombies I could believe in.  This was a plot I could easily see happening in today’s world.  The plausibility and realistic feel to the novel, characters, and the plot adds to the suspense and makes it just that extra bit more terrifying.

To say anything more about the plot would require massive spoilers and make this review six times as long.  If you enjoy fast-paced action thrillers, plausible zombies, and a plot that will leave you with chills up and down your spine, then this book is for you.

If you, like me, aren’t really a fan of horror or zombies, I would still urge you to pick up this book.  You might be surprised how much you enjoyed it.

I know I was.

There is no Required Reading to Join the Genre/Fandom

The Hugos were this weekend and as you might already know, they were a mess. A fixable, completely unavoidable MESS (kind of like the US right now, but we’ll stop that analogy there). There have been a LOT of posts and threads about it – Jason Sanford’s Genre Grapevine (Hugos/Worldcon Edition) has a LOT of links to different threads and posts (https://www.patreon.com/posts/genre-grapevine-40014596).

The nominees and winners are all AMAZING and you should definitely check them all out if you have not read them yet ( https://www.tor.com/2020/07/31/announcing-the-2020-hugo-award-winners/ ) – it is a dazzling display of talent and imagination.

However, Meg Elison on her Twitter had a very interesting thread (https://twitter.com/megelison/status/1290046758525886464) and it hit upon something that I myself had struggled with in the past and to be honest, I didn’t realize that I had needed someone to say what she said. It is not necessary for you to read all/any of the SFF classics to understand the genre itself. The genre today is not the same as the genre that Asimov and Heinlein knew. And that is A GOOD THING.

But if you are looking into getting into the genre as a reader or writer or creator, you are not required to go back and read all the “greats” before you get your member of [x] fandom card. Your nerd cred will not be revoked if you have not read Heinlein or Asimov or EE Doc Smith. At best, the classics will give you an idea of what science-fiction was, not what it is now. If you want to learn the history of the genre and how certain things came about – there are write-ups about it. Someone somewhere has done a link roundup or blogged a reaction to it. I guarantee you that. If that is your jive thing, go forth and prosper. There are resources out there for you. However, if you don’t want to? You do not have to. It is not required that you go back and read everything Heinlein/Asimov/Campbell ( or others, this list could go on forever) wrote in order to participate in the genre and the fandom. Gatekeepers, at the end of the day, don’t actually care what you have and haven’t read. They’re just going to know that you don’t belong – because they’re convinced they can tell that about someone by sight. So don’t even worry about them.

We, right now, are in a new Golden Age of SFF. The genre is so much more inclusive and spectacular and breathtaking. We are dismantling barriers that previously excluded people from joining, we are reckoning with past issues from racism to sexual harassment to the need for accountability, and we are trying to be the best versions of ourselves. It’s not perfect, there are still A LOT of issues that need to be re-evaluated, there are still problems that need to actually be fixed instead of patched over or ignored. There is still work ahead of us to make things better, both as a genre and as a fandom. There’s been things hardbaked into the foundations that need to be excised and replaced because they’re toxic.

This genre and this fandom is ultimately one of hope. So read Amal Al-Mohtar, RF Kuang, Meg Elison, Fran Wilde, Rebecca Roanhorse, Seanan McGuire, Jim Hines, Keith DeCandido, SL Huang, JY Neon Yang, Charlie Jane Anders, Annalee Newitz, Premee Mohamed, Gerald Coleman, Nicole Kurtz, Tate Thompson…find your weird and your wonderful with FIYAH Magazine, Strange Horizons, or Uncanny Magazine.

And then come back here and let’s talk about what you found.